Invisible Man Essay: Search for True Identity :: Invisible Man Essays

Search for True Identity in un markable Man Who the hell am I? (Ellison 386) This question puzzled the concealed man, the unidentified, anonymous fibber of Ralph Ellisons acclaimed novel Invisible Man. Throughout the story, the narrator embarks on a mental and physical journey to seek what the narrator believes is received identity, a belief quite mistaken, for he, although unaware of it, had already been inhabiting true identities altogether along. The narrators life is filled with constant eruptions of mental traumas. The biggest psychological burden he has is his identity, or rather his misidentity. He feels wearing on the nerves (Ellison 3) for population to see him as what they like to believe he is and not see him as what he really is. Throughout his life, he takes on some(prenominal) different identities and none, he thinks, adequately represents his true self, until his final one, as an nonvisual man. The narrator thinks the many identities he possesses does no t reflect himself, but he fails to recognize that identity is simply a mirror that reflects the surrounding and the somebody who looks into it. It is only in this reflection of the immediate surrounding can the viewers relate the narrators identity to. The viewers see only the part of the narrator that is apparently connected to the viewers own world. The part obscured is unknown and therefore insignificant. Lucius Brockway, an senescent operator of the paint factory, saw the narrator only as an institution threatening his job, despite that the narrator is sent there to merely take to heart him. Brockway repeatedly question the narrator of his purpose there and his mechanical authentication but never even bother to inquire his name. Because to the old fellow, who the narrator is as a person is uninterested. What he is as an object, and what that objects relation enter is to Lucius Brockways railway locomotive room is im sortant. The narrators identity is derived from this relatio nship, and this relationship suggests to Brockway that his identity is a threat. nonetheless the viewer decides to see someone is the identity they assign to that person. The Closing of The American Mind, by Allan Bloom, explains this identity phenomenon by comparing two ships of states (Bloom 113). If one ship is to be forever at sea, and K another is to reach port and the passengers go their separate ways, they think about one another and their relationships on the ship very differently in the two cases (Bloom 113).